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‘Digging the grave of my profession’: the Hollywood creatives training AI to do their jobs

Sunday, 23 August 2026

Illustrative photo: A film crew working on a large soundstage with lighting equipment and cameras.
Illustrative photo: A film crew working on a large soundstage with lighting equipment and cameras.

Warm-up

  1. Where do you see AI already changing film or TV work?
  2. Would you take short-term work that might replace your job? Why?
  3. Which production task would you find hardest to teach to a machine?

Vocabulary

lucrative
bringing in a lot of money compared to the time or effort
replicate
to copy a result or skill so it works in the same way
hypothetical
imagined for practice or testing, not a real case
schedule
a plan that shows what happens and when during a project
permit
an official document giving legal permission to do something
transcribe
to write down exactly what is said in audio or video
freelance
working for yourself and taking short jobs for different clients
fatalistic
believing events cannot be changed, so they must be accepted

Reading

In Hollywood, some creatives are taking lucrative gigs to train AI models to replicate their work, pushed by a jobs slump. Trainers earn $12 to $200 an hour via agencies serving Anthropic and OpenAI. Feelings range from realism to a fatalistic sense of loss; one worker said he was "handed a shovel and asked to dig the grave of my profession".

Ruth Fowler, a Los Angeles screenwriter and producer, now teaches systems how production decisions are made. She built a hypothetical two-day shoot and showed an AI how to create a schedule from emails, a script and materials, including permits, hazard checks, daylight needs, crew lists and child protection. She also trained an AI to assemble a pitch deck for film and TV ideas. It is production work these systems are being taught to imitate.

An LA documentary director trained a model to transcribe speech from a Little League game despite loud music and crowd noise; he mapped speakers and noted accents, which worried some freelance staff.

Industry data show the pressure: Netflix used AI in 300 of its 1,000 titles in 2026, and director Ron Howard is embracing the technology. Shoot days in Los Angeles fell 48% between 2021 and 2025, FilmLA says.

Original source

Comprehension

  1. Why are some Hollywood creatives training AI now?
  2. How much are trainers paid per hour for this work?
  3. Which AI companies are named as the agencies’ clients?
  4. What did Ruth Fowler teach an AI to produce for a shoot?
  5. By how much did LA shoot days fall between 2021 and 2025?

Grammar focus

Adding emphasis - cleft sentences

Use a cleft (It + be + X + that/who) to emphasise or focus one part of a sentence. It puts attention on X. (Examples constructed.)

  • It was **the crew that** mapped the speakers at the game.
  • It is **production work that** these systems are taught to imitate.

Grammar exercise

Circle the correct option in each sentence.

  1. Many trainers said it was pay (that / what) drew them in.
  2. Some worry it was background noise (what / that) ruined the audio.
  3. Producers claimed it was production work (that / what) AI imitates.
  4. Many agreed it was freelancers (that / who) felt threatened.
  5. Industry figures said it was Netflix (that / what) used AI in titles.

Discussion

  1. Is it ethical to train AI that could replace your role? Why or why not?
  2. Which film or TV tasks should never be automated? Explain your choice.
  3. Who should control creative data used to train AI tools?
  4. Do Netflix’s 300 AI-linked titles show progress or risk for artists?
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